Emily Dickinson needs no introduction

Emily Dickinson adopts no introduction. iodin(a) of the approximately prolific and renowned poets in the literary world, Dickinson still remains by and large a mystery. She is often labeled as a invigorationlong unsocial who did nothing but sit in her attic all day and scribble poetry. However, Dickinsons poetry reveals a soul keenly in tune with the hu public condition. The dewy-eyed and always relatable poetry of Dickinson serves as her superior autobiography, and as a testament to humaneity itself. She was and remains the master of capturing sensation in a literary statue.Happiness, anger, envy, surpriseevery feeling that man has ever felt flowed from Dickinsons pen at some point. One subject contains all of these emotions, and this subject both haunted and fascinated Emily Dickinson passim her life death. The poet wrote passionately about death many times, but one poemone imagein particular resonated with readers in its stark, memorable simplicity. In I heard a take fl ight sound when I died, Dickinson masterfully interweaves tone, style, and imagery to capture a verbalizer in the middle of lifes greatest questioning challenge. its own conclusion.In the poem, lifes end is represented through the persona of a decease individual. The condition of the terminally ill speaker emerges through the poems compact, simplistic, yet conflicted structure and in its one right tokenic theme. Consider, for example, the simple sounds which recur and reinforce the speakers thoughts. Soft w (Was (3), were (6), when (7), witnessed (8), willed (9), what (10), with (13), windows (15)) and s (signed (9), see (16), assignable (11)) sounds give the language a sighing quality, mayhap the labored breaths of someone whose every breath is a precious commodity.Yet these comfortable sounds atomic number 18 accentuated by an aggressive assault of st syllables ( quietness (3), storm (4), stumbling(13)), as if the speaker is struggling with a mental block of resistance. Dea th likewise looms in the aphoristic nature of the speakers language. With just a few well-chosen words (a last breath)stillness (3), wrung (5), storm (4), stumbling (13)the speaker provides powerful insight into the complex feelings which accompany death. Who else but a anxious(p) person would understand the value of quality over quantity?This human conflict is further reinforced by the alternating long and abruptly lines which constitute the closing stanzas. While the opening stanzas form near-perfect boxes (the very symbol of control), the frenzied push-pull of the speakers closing thoughts offers a concrete pellet of the inner turmoil that surrounds impending death. The moment of transformation for the speakerfrom irenic resolve to subtle panicis highlighted by a Dickinson Dash (Milani, Dickinson compendium) .Could make assignable,and then/There interposed a fly (11-12). Can the stateliness of death be reduced to a mere flys presence? Is the majesty merely an illusion? ( Frankowski, Death) The fly itself is the vertebral column symbol in a speakers mindset mostly devoid of elaborate imagery (Frankowski, Death). Throughout the poem, the speaker eludes to a need for some magical ghostlike fulfillment And breaths were gathering certainly/For that last onset, when the king/Be witnessed in his power (6-8).However, the only unvariedthe only true anchorfor the speaker as death approaches is the uncertain, stumbling, buzzingfly (12-13). Does the small creature steal away the speakers mollification by standing Between the lights and me (14)? Or does the flys final farewell (its auditory buzz) remind the speaker that he or she need not see to see (16). Does true sight come from the eyes, or does true sighttrue light in fact strickle from a higher source?Perhaps the speakers musings are not random, but a confessed realization to the most enlightened sense of hearing of all, the Creator Himself. Why might one assume that the speaker is addressing divini ty fudge? First, and most simply, the speakers narrative occurs after death I heard a fly buzz when I died (1). Yet evince for the speakers intended audience also appears on a deeper level. The abstract diction of the speaker suggests a metaphysical plane stillness (3), form (3), breaths (6), power (8), light (14), air (3), and even the formless buzz (1).Further, the formal tone (The stillness round my form (2) What portion of me I/Could make assignable (10-11)) carried throughout the piece would likely be close for only the most respected and wise of listeners. In addition, the iambic trimeter speech rhythm (Milani, Dickinson Analysis) of the speakers words and the traditional ABCB rhyme end summons a classic adherence to timeless laws and beauty. A dying speaker and a celestial audience provide the most powerful backdrop for the poems ultimate theme mental and spiritual conflict.