Analysis Of Wordsworths Resolution And Independence English Literature Essay

Analysis Of Wordsworths Resolution And Independence English Literature assayThe poet establishes in the graduation exercise two stanzas the style of nature when he traveled on the moor. The tense evict be confusing. Wordsworth begins in the simple ultimo, but the past serves here the uses of the present in the sense of active recollection of emotion in present tranquility. The BUT at the beginning of stanza four introduces the contrast that exists surrounded by the joy of nature and the ordure of the poet. The time that he rec on the wholes was one of a rising sun, calm and bright, singing birds in the distant woods, the pleasant noise of waters in the air, the world teeming with all things that love the sun, the grass jeweled with rain-drops, the h ar running is his glee. But the poets morning is one faceivity of dejection on this morning did fears and fancies come upon him profusely. In the center of the sky-lark warbling in the sky, he likens himself unto the play ful hare even such(prenominal) a happy child of earth am I / even as these blissful creatures do I fare / far from the world I walk, and from all care. This is the festal side of his purport. But, in the midst of the joy, he thinks of that other kind of day that world power come to him, that day of solitude, pain of heart, distress, and poverty. In stanza 6 he recalls how his life has been as a summer, mood, how the sustenance of life in all its nourishing variations has come to him so gratuitously. But, then he thinks too of the possibility that it will not continue so for one who takes no practical thought for his own care and keep. The question is, how long will nature continue to give freely to one who does not with diligent responsibility harvest grain for the garner of future days but how can He in this case the poet himself expect that others should / Blind for him, set for him, and at his call / Love him who for himself will take no heed at all? the poet thinks of h imself as poet, one endowed with his own privileged, joyous bit in life, there comes to his mind the names of Thomas Chatteron and Robert Burns, poets in the English tradition that Wordsworth would admire. The association that he makes of himself with them is at one and the same time joyous and imminent we poets in our use begin in gladness/ but thereof come in the end despondency and madness. The universal joy of the poets life is contemplated in range of potential sorrow.The beginning of stanza 8 marks a turning point in the poem. From this juncture to the end, the poet will tell how he knowing what we find in the title, resolution and independence, and he learns significantly from a wanderer, a man who has subsisted on the gathering of leeches, a man who is now a beggar. As the poet thinks his untoward thoughts about life and struggles with all their depressing suggestions, he meets in a lovely place beside a pool bare to the eye of heaven, a solitary man, the poet says the sr.est man he seemed that ever wore grey hairs. The poet interprets his meeting with him to be verily a gift of Devine Grace. Stanza nine is Wordsworths long simile for the superannuated solitary. The social occasion of the simile is to get the leech accumulator as alive but almost not alive. Wordsworth compares him to a huge stone/ couched on the bald outdo of an eminence, and to a sea- beast crawled forth through using the sea beast as simile for the stone. The old man is virtually one with the scene amidst which he sits he has very well-nigh become one with nature motionless as a c trashy the old man stood, / that hearth not the loud winds when they call. The encounter reveals to the poet a man of great age, bent double, feet and head / coming together in lifes pilgrimage. He looks as if he might be made taut in his bent posture by the tight strain of some past suffering, rage, or sickness. The poet is picturing him as very nearly super born(p), at least somehow beyond the usual scope of human experience he seemed to bear a more(prenominal) than than human metric weight unit.In stanzas 12- 15, the old man finally moves. The poet sees him stir the waters by which he stands and then looks with fixed scrutiny into the pond, which he conned , / as if he had been rendering in a platter. The poet greets him, and the old man makes a gentle answer, in courteous speech which forth he slowly drew. Wordsworth uses the firm of stanza fourteen to describe his speech, lofty utterance, stately speech. In lines 88 and 89, the poet asks him what his occupation is, and suggests that the place in which he dwells may be too lonely for such a person as he. The old man identifies his work as leech- gathering this is why he is in such a lonely place. He must, macrocosm old and poor, finds his subsistence here, though the work may be hazardous and wearisome. He depends on Gods Providence to serve up him find lodging. But in all, he can be sure that he ga ins an honest maintenance, however much he may have to roam from pond to pond from moor to moor.In lines106-119, the poets responses to the old leech- aggregator are told. While the old man had been answering his question about employment and placement in so lonely a setting, the poet becomes thoughtless in the strange aspects of him who speaks. He loses the detail of answer the leech-gatherer is making he cannot divide his words one from another. Lines 109-112 contain the essence of the poets articulation of his feelings. They should be check carefully and compared to other passages in Wordsworths poetry where he attempts to give voice to experience that is very close to mystical absorption. Observe here that the poet finds himself absorbed in the being of the solitaryAnd the whole body of the man did seemLike one whom I had met with in a dreamOr like a man from some far region sent,To give me human strength, by apt admonishment.But the poets dejection returns. He thinks again the heavy thoughts of fear, of resistant, recalcitrant, cold, pain, and labour, and all physical ills, and of those poets who have been mighty, but who have died in misery. He yearns to find some message of strength and hope in the leech-gathers words, so he asks again, how is it that you live, and what is it you do? In lines120-126, the leech-gatherer repeats the nature of his work, but he adds that whereas he once could gather the object of his industry easily, he now because of the growing scarcity of leeches must travel more extensively- still he perseveres.In lines127-133, the poet relates more of his private, unspoken response to the old part. Against it happens that his mind wanders, as in stanza 16, while the leech-gatherer is answering his question. The poet pictures him as even more a solitary than he is in his present state the poets imagination working on the figure before him makes of the wandering solitary very nearly a transcendent being, silent and eternal In m y minds eye (the poet affirms) I seemed to see him pace / About the weary moors continually, / wandering about alone and silently. The poet is churning by his own imaginative responses to the Man before him, but not troubled in a bad sense. This is the ministry of fear that we find so lots in Wordsworths work.In lines 134-140, the leech-gatherers resolution and independence is obvious to the poet in the way he moves from economically precarious condition to more cheerful utterances. The old Man before the poet is obviously a person of firm mind, however decrepit he might in appearance seem. He remains in the midst of whatever misfortune the society of man or isolation with the bare elements bearing him, a person of kind demeanor and stately bearing. The poet compares himself to the leech-gatherer and scorns himself for his dejection. He takes the old Man into his memory as an another point for future days and asks that God will help him to preserve what he has learnt God, said I, be my help and stay secure Ill think of the leech-gatherer on the lonely moor As suggested in other places in this study, most of Wordsworths solitaries live as a part of the nature in which they move. There is the effect in this poem of the leech-gatherer going in and out of nature the poet is for a time aware of him as a person confronting him face-to-face, but then he loses touch with him, as if he had blended back into the nature out of which he had momentarily stepped. star might profitably compare stanza sixteen, where Wordsworth speaks of the leech-gatherer as coming to him as if out of dream, which the Simplon Pass episode in Book Sixth of The Prelude. About line 600 of that book Wordsworth speaks of an imaginative experience in the following termsin such strengthof usurpation, when the light of senseGoes out, but with a flash that has revealedThe invisible world, doth immenseness make abode,There harbours .Wordsworths light of sense near to going out at least twice while he is talking to the leech-gatherer. One may also interestingly compare Wordsworths responses to the vision on Mount Snowdon in Book Fourteenth of The Prelude with his experiences while talking to the old Man he met on the moors. He certainly intends for the reader to be impressed with the leech-gatherers insistence on survival, survival that comes to him, we feel, to great degree because of a sheer act of will. Again, as with many of Wordsworths solitaries, courage is presented as with many of Wordsworths solitaries, courage is presented as the capacity to endure. There is a notable difference, however, between the courage of Michael and the courage of the leech-gatherer never being sure he will find them, as she has been to Michael, who, though his farm is eventually lost after his death to owners outside his family, can live the entire of his years on land that has been made his been own. Michael draws continual sustenance more from his own deep wells of unyielding fortitude. T here is an obvious contrast also in this regard between the leech-gatherer and the Old Cumberland Beggar. The leech-gatherer accepts housing from those who will help him, but he does not have the regularity of affection and acts of kindness that the persons in the community of the Old Cumberland Beggar an area of nature in which he can live and die, in which he can make his home, Those who care for him are almost neighbors to him. The leech-gatherer is much more thrown on his own resources. It is in this that the poet learns his greatest lesson from him.There is in the encounter between the poet and the leech-gatherer the work of Providence. Wordsworth seems to say in the poem (and in the letter he wrote about the poet) that this old Man was sent to him for his own rehabilitation. This may seem in some ears to be very close to blaspheming the preciously human, that one human being would be so sacrified fro the instruction and welfare of another. But the rediscovery of st capability and hope in the midst of dejection for the poet who writes the poem is certainly the direction of things from the early stanza of the poem, where the glory of the natural surroundings seem to be functioning expressly for the poets interesting. The hare that leaps joyfully through the first five stanza of the poem (mentioned three times in the five stanzas, in the second, third, and fifth) becomes in a way emblematic of the poets life. The hare is also a retainer of the benignant Grace of God, bringing to the poet reminders that he is such a happy child of earth . There may be in the background the scriptural records of Gods directly expressed mercy for man, even as incursions that cut with the particularity of biographical facts. But the leach- gatherer comes not so much in the mood and manner of historical encounter as he comes in the form of natures extension of herself, ministering through an agency that is close to being more a natural agency than a human one.With regard to the language of the poem, Wordsworth is working with a seven- line stanza or rhyme royal. The longer last line has the effect of subnormality down the narrative and giving more time to the reader for consideration. Wordsworths highly conscious artistry can be seen in his careful use of similes that describe the old man of the poem. The stone and the sea- beast of stanza nine, and the cloud in stanza eleven convey a sense of life that is highly worthy of the word.On the subject of the language of the poem, one may question whether the diction that the poet attributes to the leach- gatherer is a selection of language really used by men. In stanza fourteen, the old mans speech is described as choice words and measured phrase, above the reach / of ordinary men.Wordsworth as a narrative poet has most of his characters as active, persons committed to action. He consistently draws his characters so that they are easily recognizable as human beings. They are usually three- dimensional charac ters that have definite features. For all of his shared identity with nature_ which is to a very great degree_ we still meet the leach- gatherer as man, not as thing. Stanza ten and eleven are examples of Wordsworths ability to create character in a relatively few lines in this he shares a fame that is owned by only a few artists. The leach- gatherer is easily visualized, with his body bent double, propped, limbs, body, and pale face. / upon a long grey stuff of shaven wood . such vivid character drawing is prerequisite to give the old man the action of personality that he has, an action essential to his being for the poet a model of resolution and independence. Wordsworths characters are real because we can think of them as human beings. However heroic the leach- gatherer may be, his resolution does not take him beyond the limits of the human. We have in him no Achilles. His heroism is the kind that can be attained by human beings we know and meet. Generally Wordsworths character s are real because we can think of them as human beings. The leach- gatherer shares much more with Abraham than with Achilles.Sources Barashc, F. The romantic Poets. Monarch press. New York 1991.Hough, G. The Romantic Poets. 1964.