Le Confessionnal - Research paper Example | Topics and Well Written Essays - 3750 words

Le Confessionnal - - Research Paper Example This not only shows a cultural type of grammar toward Quebec and the French during this time frame but is also directly linked to other movies which associated with the same cultural beliefs. Historical Background of the Film Le Confessional was first written in 1994 and released in 1995 as a Canadian film in Quebec. The background also links to the shooting of Hitchcock’s film, I Confess, released in 1952. There are several shots and references to this particular movie as a flash back and as an association with the culture of Quebec when this film was created. The approach which this took as well as the unique perspective which was associated with the film led to distinguished responses from viewers. This included the Genie Award for Best Canadian Film in 1996. The noticed reactions were not only based on the double storyline and philosophical approach that was taken. There were also attributes to the cinematography, acting and the structure that the film had in revealing the double time periods and the twisting of plots (Canadian Film Encyclopedia, 115). The inspiration for the film is one that is directly linked to the instructions of Robert LePage and the approach which was taken with the film. LePage was born in Quebec City in December of 1957. He was not only known as a director, but also worked as a playwright, actor and stage director. LePage began theater in high school as an outlet for his personality. From 1975-1978, he began to study theater at the Conservatory for Art Drama. He also studied in France under the direction of Alain Knapp for direction in theater. After coming back to Quebec, LePage began to participate in different theater opportunities, including the Theater Repere in 1982. Through this time, LePage used independent films and short cuts as his main outlet. In 1984, LePage released his first full film, Circulations, which was recognized for the best Canadian production at the International Theater of Quebec. After this release, he began producing several films that continued to gain wide recognition and international critiques for their unique plot lines and cinematography (Caux, Gilbert, 7). Even though LePage was working with film, he also continued to work on the theater. From 1989 – 1993, LePage produced a variety of stage plays, including Shakespeare classics and his own writing. It wasn’t until 1994 that LePage was able to move into a complete studio that he opened, known as Ex Machina. He became the artistic director of the productions that were worked on, including The Far Side of the Moon and Elsinore. LePage directed a total of four films, with Le Confessional as his first approach. He was also known for his acting in Jesus de Montreal and Stardom, both feature films by Denys Arcand. His acting is followed by his musical talent where he worked with providing funding for tours while working in opera as well as acting. The works of LePage are continuously involving both theater and f ilm productions as well as experimental works, such as street plays, that LePage works with to make statements related to societal problems and philosophies. The several areas of success by LePage have caused him to be one of the most recognized forces of talent in Canada. In 1994, he was made Officer of the Order of Canada for his works. This was